MY LOWELL OBSERVATORY ARTIST RESIDENCY

Having been entranced for many years with darkness and our vast night skies I contacted the Lowell Observatory in Flagstaff, AZ and some days later was thrilled to have received the award of “Artist in Residence.” I waited patiently for the next several months for my arrival date. Finally, my husband, David Vogel, and I set off by car for the 5+ hours’ drive to the Observatory, enjoying the car trip of beautiful scenery as we anticipated what we would see and learn in the coming weeks.

Driving up a lovely windy road with terrific views of Flagstaff we ascended to the Lowell Observatory Campus where we were graciously greeted by
Michael West, an astronomer at Lowell who would be our host. He showed us to the Trustee’s home that had a lovely apartment where we would reside during the 2 weeks of my residency. We especially liked being settled in a landscape of Ponderosa pines. Flagstaff has the largest contiguous Ponderosa forest in the world. We enjoyed our apartment’s balcony as it overlooked the city at a distance and had good views of the sky.

The staff and our host Michael were so generous in giving us information and Michael even escorted us to the LDT an extremely large telescope 1 hour outside the city on a hilltop which held our attention for hours. The floor beneath the telescope would rotate to position the telescope directed by the operator, Ben — sometimes by a program on his cell phone but mostly by this NASA looking array of monitor screens downstairs in one of the many rooms snaked with massive cords and wires of every color.

Positioning the telescope was done by the coordinates decided remotely by the researcher. My imagery of astronomers looking through telescopes on a hilltop was readily dismissed. It is highly technical work that is largely conducted with precisely programed computers.Amazed as I was by the technology and the work that was undertaken by the technicians and the staff of astronomers my biggest impressions were, of course, the celestial skies and the incredible sights one could access by the ingenious mechanisms and programs that now exist. 

 I loved that young and older people could visit the beautiful campus and share in the mysterious skies—Lowell is currently building an even more spacious Discovery Center that will dazzle and teach. We loved hearing the excitement of young people experiencing the skies — their joy was palpable.

Of course, the history of the Lowell and its beginnings from Percival Lowell’s interest and experiments was intriguing as it is still a private non-profit business. The restored historical buildings with stone and wood were beautiful. Flagstaff was the first city in the world to be designated as a ‘dark city’ that uses light effectively and smartly, so they do not impact the sky views nor human metabolism! Being at Lowell affirmed my desire to describe my impressions of the wonders of our Universe in my art and poetry. Ironically i was so busy taking in all the opportunities that were available to learn that I did not have time to ponder, sketch or write. That will have to happen back home after I complete my current work. However, my ideas and impressions are so impactful that they will save, store and manifest later. Stay tuned for those developments.

Toward the end of my residency, I was invited to speak to a group of people who were lured with a pizza lunch! it was a lot of fun to tell them about my work and interests and then discuss how it might align with their own scientific practices. I was delighted by the young people that stayed on to discuss their ideas—always learning so much by these exchanges.

 

Well, I hated to leave although I was looking forward to being back in my studio. There could be a night I would miss when I could have glimpsed another star cluster or planet. It was a magical place. I encourage everyone to visit. It is always a good thing to observe the cosmos and recognize the perspective of our place in it as small humans on a beautiful planet rotating and dancing around in a vast playground with many glorious playmates!

Photos by Leis and David Vogel

 

 

 

Things Are Warming Up!

Here are some exciting things coming up for me and my work in the next few months:


 

On May 2nd, MichaelWarren Contemporary of Denver CO. will be celebrating their 10 year anniversary with an exhibition highlighting 10 artists they have represented for the past decade. As part of the exhibition my paintings Symbiosis 1 + 2 will be on view. The opening reception will be held on May 2nd and will be on view until June 15th 2024.


Wright Contemporary, Taos, NM will be showing some of my art in their Office Exhibition Space concurrent with a solo exhibition of artist Florence Pierce. The opening event is May 25th. Also, I will also be giving a slide lecture presentation: “Artist Residencies that Resonate” on Sunday June 2 at 3pm at Wright.


Lastly, I am excited to announce that this summer I I will be will be a June 2024 Artist in Residence at the Lowell Observatory in Flagstaff AZ!
I will be reflecting on art making and the cosmos during my 2 week stay at the observatory.

Unfurling Poetry Book Release !

Unfurling is the third anthology in a collection of my poetry and art. This new book contains over two years of my selected written works exploring personal history, a troubled cultural present, and vast inner landscapes brought into focus during a global pandemic. The pages of Unfurling pair my  prose with glimpses of my minimalist visual artworks, shaping a cerebral and palpably relatable reflection of a creative life unfolding.
“I was not calibrated for the Covid Pandemic in 2020. It did unfurl a childhood time of polio anxiety but I did not learn that navigation, if there was one besides fear and hope. During the ensuing 3 years I’ve experienced isolation and the ‘tip toeing out’ that has evoked both past memories and present reflections in no particular order. These writings are the harvest of a back-of-the-stove soup with things added as conjured revealing my internal landscape.”

“…Thank you for this lovely read and reflection. I love the work and your deep witnessing. The visuals are as nourishing as the writing….” Hakim Bellamy,Inaugural Poet Laureate of Albuquerque, New Mexico (2012-2014)




This latest collection of poems is the result of my time as a 2022 writer in residence at the Fairhope Center for Writing Arts in Fairhope, Alabama. During my month long tenure on the Alabama Gulf coast, I was able to distill down from numerous poems and writings, with the help of the quiet and the water.


The Albuquerque (NM) Museum is exhibiting a wonderful show of Georgia O’Keefe’s and Henry Moore’s art and how the work resonates together.  I’m excited to share with you that three of Moore’s sculptures are in the lobby keeping my sculptural painting, The Silent Road, company. This is very cool! My painting, hanging 17’, will be up through December and represents my work as Visiting Artist to the museum.

Santa Fe Studio


After my recent move from ABQ to Santa Fe NM, I have finally begun to get settled into my new studio! Located just outside of old downtown Santa Fe, my stand alone studio is in a cute cozy historic 100 year old building. After much renovation, construction and re-organizing, I am finally able to start making work in a purpose oriented zen space.
The studio is close to home and Im looking forward to sharing it with visitors soon. For now here’s a peek behind the curtain…
  

The Forever Home of The Silent Road


The Albuquerque Museum has added my sculptural paintings, The Silent Road (17’ x 34” x 36” graphite, Tyvek™ ), Land Lines (43 x 34 x 5”  graphite, birch wood) to their permanent collection along with the grouping of 4 paintings entitled, Breathless.

 

 

I am grateful to have this work at the Albuquerque Museum as I leave the city and it’s environs that had been my home for 30+ years.

It is especially gratifying to have The Silent Road and Land Lines installed in the Museum’s Lobby from December ’22 through December ’23.

The following you will read the narration plaque that is displayed with the work and see several photos by Stefan Jennings Batista of the installation. I hope some of you are able to see this work in it’s new home.

The soaring height of 17’ Silent Road I think will thrill you—let me know!

Marietta Patricia Leis
born New Jersey, lives Santa Fe, New Mexico
The Silent Road
2019
Tyvek™ , graphite ground acrylic, wood rod
gift of the artist

The Silent Road is a dialogue between painting and sculpture. It represents a road that leads in two directions, reaching upward toward the ceiling and winding down to the floor. The Silent Road was inspired by Marietta Leis’s time in Iceland during the dark months of the long winter. According to the artist, “The treeless, volcanic landscape revealed the earth’s curved horizon, confronting me with a stark image of all that is infinite—both visually and metaphorically. My acute sense of this fascinating and haunting place provided fertile ground for germination of The Silent Road.”

The Silent Road was made with graphite painted on Tyvek ™ (a paper-like plastic sheeting used to insulate houses). Leis hand burnished the graphite to achieve a luster that creates a shimmering darkness inspired by Iceland’s volcanic rock.

Leis traced every inch of the surface of the work marking a path and leaving a record of the artist’s journey for others to follow. The Silent Road’s surface texture offers hidden complexities for the viewer to grapple with and it also invites the viewer to simply travel The Road in silent contemplation.

According to Leis, “In today’s noisy world it is easy to become distracted, numb to our deepest natures. The road to authenticity is by its very nature traveled in solitude. It is an internal road that, with patience, can lead deep into the core of our being. As we each embark on the journey to this rich and fertile place, we can discover a common thread of the shared humanity that binds us.”

Marietta Patricia Leis is an internationally exhibiting multimedia artist and poet. She has lived and worked in New York City as well as Los Angeles, and is currently based in Santa Fe after living in Albuquerque for many years. Leis’ reductive, expressive works are shaped out of experiments in material process and she takes inspiration from forms found in nature, a sense of place, and the internal landscape.

 

Marietta Leis
born New Jersey, lives Santa Fe, New Mexico
Land Lines
2019
graphite acrylic/wood
gift of the artist

 

Writer in Residence

A month in the charming Fairhope, Alabama as a Writer-in-Residence sponsored by the Fairhope Center for the Writing Arts importantly gave me time to write and also an opportunity to experience the Deep South. I am grateful for both as our ongoing downsizing move to an apartment and office in Santa Fe has stretch us and we needed a break and time to work.

 

The scenic setting of Fairhope on Mobile Bay hydrated my desert soul and provided many glorious sunsets as well as magnificent cloud formations. The downtown Pier that I frequented on my walks draws people for exercise and fishing. Very serious fishermen staking out their territory for several hours with chairs, radios, food and several fishing poles.

 

As a tree lover I was treated with glorious Magnolia and abundant Live Oak trees always ready to amaze me with their large branches bowing low over the streets and lawns and the big old gnarled trunks of sculptural beauty.

The Center provided me and my husband with the quaint Wolff Cottage downtown and the library was conveniently right behind the cottage. Books of other authors who had been Residents graced the bookshelves that lined the living room walls. My sweet writing office had abundant natural light and an inviting vibe and my hours spent there writing, editing and formatting my new poetry book-to-be were hours of peace and grace.
Being downtown we could easily walk to meet any of our needs and find lots of local entertainment. Good food was at the restaurants and coffee shops. Oysters and fresh fish were luckily in abundance. I found a used clothing store where I bought a sweater as the temperatures dropped our second week there. The bookstores are a necessity in this literary town and there was one bookstore that satisfied my Xmas gift buying needs!

So let me back up and tell you a little history of this unique town; a group of reformers from the Northeast US established an experimental utopian community in Fairhope in 1894.They hoped that the town had a ‘fair hope’ of succeeding. It was developed as a ‘single tax’ colony that owned the land and homeowners paid an annual tax that provided the public amenities. These ideals attracted artists, writers and intellectuals. Among the unique things about Fairhope is the establishment of the progressive School of Organic Education by the educator, Marietta Johnson that still exists!  And, luckily we were there for the weekend of the film festival and were able to indulge in our favorite pastime.
The people who are involved with the Center were all gracious and supportive of my work and respectful of my time but we gladly accepted their invitations to enjoy the art openings and incredible dinner treats. We found the entire town to exude Southern charm with eye contact and friendly greetings as we passed in the streets.Fortunately, I was asked to attend the book club that sponsored my Residency and it was so heartwarming to experience this wonderful group of accomplished and curious women who welcomed my work into their hearts. What I loved was bearing witness to the relationships that these women had woven with one another over the years and over many books and discussions.

I was also asked to do a public event at the library where I was able to talk about my work and read my poetry. What I noted was that I allowed myself to be more spontaneous and vulnerable both talking about my life and work but also in the poetry I had been writing in Fairhope. Maybe it was the accepting and supportive environment, maybe it was my age and maturity but I take pride in knowing that I still had the ability to grow and dare!

So in Fairhope I wrote, edited and laid out a new book of 50+ poems. Now back in New Mexico I will integrate some of my art to play off the words. In time this book will be published and I hope that you will let me know your reflections. Words and art are communication — maybe written or painted in solitude but always meant to be received by the viewer or reader. I look forward to the dialogue.

 

 

Changing Venues

Yes, I am in the process of downsizing and moving and what a move it is. My husband David and I have been talking throughout the pandemic about what energy it takes to maintain our property which is a compound of studio and house in the heart of Albuquerque, New Mexico, US. Even with zero landscape and minimalist sensibility we felt that it took too much time away from our pursuits—my art and David’s community work.

So we have looked about for the ‘next place’ that would require less time and effort—we covered 3 states and came back to our own New Mexico. In 2021 we found that a new apartment was being built in downtown Santa Fe and we decided that would require our downsizing and give us the urban experience we enjoy.

We spent a lot of time looking for my studio and an office rental and finally found accommodations across the street from the apartment. So the transition has begun. After unloading a lot of ‘stuff’ we moved into the apartment July 2, and the studio and offices will follow.

But as my recent newsletter can attest the move, though slowing me down a bit and requiring time, has not diverted my art endeavors. I enjoyed participating in the Portugal group exhibition “earth@Faro” curated by Paulo Duarte Filipe. We spent part of a morning ‘messaging’ one another to get my “Boundless” pieces hung. My regret was not going to Faro as seeing pictures of some of the artists frolicking on the beach made me very envious. It’s always an adventure and a pleasure to exhibit internationally. And there will be more exhibits in Portugal to report.

The group exhibition, “Arctic Summer” at The Curated creative in Albuquerque was beautifully curated by the Director, Brianne Clarkson. The events— an opening, an artist talk and a cocktail/poetry reading (by me) were an exceptional way to celebrate art and community.

My wonderful assistant, Stefan Jennings Batista ‑a talented artist/photographer/educator, is the curator, of my solo exhibition at the Taos Art Museum at Fechin House.  He tackled this task with much enthusiasm and we look forward to exhibiting in the Museum’s gallery space located in the former Fechin studio.

For this exhibit Batista selected the theme of WOODmetal because that aligned with Fechin’s own sensibility. and practice while he lived and worked in Taos. The exhibit will show my art made of or influenced by wood and reflected surfaces of metal. It opens September 9 with my reading poetry and will close October 16. Fechin’s house and grounds which have been restored are worth the trip to Taos!
You will hear from me next this winter as a Writing Artist in Residence in Fairhope, Alabama. I’m quite excited, stay tuned…

 

2022 New Year Updates

Sense Memories – solo exhibition at CCA Santa FE

Join us for a guided tour of Sense Memories
Click HERE or on the image below to learn more and get tickets!


Peruse the images here of Sense Memories curated with the intention of creating peaceful spaces for people to pause, relax and contemplate positive feelings through their sense memories. You are encouraged to move slowly and still frequently to have dialogue with the reductive art.

Upcoming Solo Exhibition & Other Shows


Opening Reception  Friday, December 3 | 5-7pm
Exhibiting  December 3 2021 – February 27 2022
Poetry Reading
Saturday December 4 | 6-7pm
Curated by Laura Carpenter

I am happy to announce my upcoming solo exhibition Sense Memories at the CCA Santa Fe. Please come join us for the opening on Friday December 3, from 5-7pm. Curated by Laura Carpenter, Sense Memories will present a variety of my works across mediums in their beautiful Tank Garage Gallery. I will also be presenting in a group poetry reading the following Saturday. Hope to see ya there.
Click Here to read more.


My new book of poetry Engrained: Reflections on Trees in Poetry & Art is now available. This beautiful little softcover presents contemplative personal writing on trees, the environment and is accompanied my unique views of my artwork. Pick up a copy here.


I am featured in the group exhibition Structured Surfaces at the Curated Creative ABQ curated by Brianne Clarkson featuring 5 local artists.

Marietta in Lifetime Artist Exhibition

Marietta Patricia Leis participating in:
Lifetime Artists: Michael Warren Contemporary
McNichols Civic Center Building, Third floor, Denver
October 16 – December 19, 2021

 

Some artists are ephemeral, moving fleetingly in and out of the public eye. Others hold fast to their discipline, and move through the decades with a stalwart dedication to their evolving work.

“Lifetime Artists: Michael Warren Contemporary” salutes these artists of longevity, highlighting those who are at least 70 years old and have been practicing their artistic craft for a least 45 years. This exhibit features the mature work of twelve artists from the Michael Warren Contemporary Gallery, and is guest curated by gallery owner, Mike McClung with Featured Artists:

Natalie Alper, Rita Blitt, Eva Bovenzi, John Garrett, Jody Guralnick, Pamela Joseph, Marietta Patricia Leis, Robert Mangold, Lorelei Schott, Brian Shields, Allison Stewart, Floyd Tunson

Related events:
Opening Reception – Oct. 15, 5 p.m.
Virtual Tour/Discussion with Mike McClung – Nov. 11, 11 a.m.

To learn more click HERE

Reveal, by Leis, Installation of oil on unique shaped wood formats, painted on both sides