Yearly Archives: 2015

Summer into Fall and Beyond

01. Iceland studio.I’m writing this as I’m preparing for my fall exhibitions and thinking about my Artist Residency in Iceland December-January. Do we always just have the perception that the summer passes quickly or does it in reality? I’m like a kid that thinks I’ll have lazy down time in the summer months and then when the good part should begin—boom, zoom the summer is over.

02. Cuba

The hot weather for me started in May on a trip to Havana, Cuba for their 12th Art Biennial. The trip was a packed 8 days of art, artists and revelations! Colorful, chaotic, musical, multi-layered, with a background of romantic buildings in decay and new friends! The biggest thrill was to find out that culture is an economic engine of Cuba.

In June I worked on my Antarctic pieces inspired by my expedition last year. I’m excited that Mary Anne Redding will be curating this 4 month exhibit of “Antarctic Inspirations” with David Vogel and myself at the Turchin Center for the Visual Arts in Boone, NC spring 2016. I’ll keep you posted.

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bluesArt Aspen at the Aspen Ice Garden was jumping in August and my Denver gallery—Michael Warren Contemporary showed work from my blue paintings.

September 11th begins my 6-week exhibition at Michael Warren Contemporary, Denver. I’m thrilled to be working with Mike McClung and Warren Campbell, both of whom are 06.path Takenknowledgeable and appreciative of my art—an artist’s ultimate affirmation. I really look forward to this exhibit that was curated with their exceptional eyes. Hope you get to the Mile High to see this! I’ll be there at the opening September 11.

In August I gratefully participated in a group exhibit of over 100 international artists at the Haegeumgang Theme Museum in South Korea. This extraordinary exhibition resonates the poetry of Taro Aizu bringing attention to Japan’s nuclear accident at Fukushima after the earthquake. japanThe tragedy there is far from over—we can’t forget.

07. LuminersIn November I will have a solo exhibit at the esteemed Delaplaine Visual Art Center in Frederick, MD overlooking the historic Carroll Creek Park. “Water + Water” will display work on paper inspired by water! The opening is November 7 closing December 20.

Besides the busy buzz of preparing and shipping work to these various exhibits I have just begun also to plan and schedule a commissioned triptych of BLUES—excited about that! And the editing and planning for a book of my poems written during an Artist Residency at the Morris Graves Foundation is in the works to be available on Amazon.

08. Crates2I am so grateful to have the assistance in my work and studio of Joni Tobin Mayer and Julianne Aguilar. Their loyalty, sensibilities and skill sets are invaluable to me.

In 2016 I’m planning (we know how that goes) to do tidying of house, studio and life as outlined by Marie Kondo in her immensely popular book, “The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing”. This will hopefully include a studio sale of some of my inventory!

Can’t wait to be in the quiet winter time of Iceland… mpl

northern lights

Yearly Archives: 2015

Sea and Sky, Rockport Center for the Arts

01.Last year John Aasp, the curator at the Rockport Center for the Arts in the Texas Gulf, contacted me about an exhibit idea he had. The Center hosts a Home Tour every spring and he wanted to integrate my art with the woodwork of George Bagnall and Michael Geer. As most of my paintings use fabricated birch frames John thought the art and woodwork would both stand-alone and yet show cohesively. John‘s vision and enthusiasm for the project excited me and I agreed to put the exhibit’s time slot on my calendar for 2015.

We kept in touch as the year unfolded with contracts and ideas. At some point in our conversations John expressed a concept for my work that would express the environment of Rockport’s sea and sky. As my work reflects a sense of ‘place’ this seemed a perfect theme as sea and sky are definitely inspirations for my work.

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We soon chose an inventory of my work to be shipped and decided to use Sea and Sky for the title of my exhibit. I was very curious how John would install my art with the woodwork but had a great deal of faith in his vision as John is an accomplished artist (www.johnaasp.com) and had been curating exhibits at the Center for 8 years.

03.As you well know time passes quickly, especially quickly it seems for timelines of crating and shipping work. I made plane and hotel reservations to be in Rockport for the exhibit’s April 11th opening reception and gallery talk and also the Home Tour. I arrived at the gallery the day before the opening and was so thrilled to see John’s vision unfold before me so exquisitely.

There were wonderful breathing spaces between the art works. The wood furniture echoed my art with simplicity and elegance. In the entry space the furniture repeated its forms just as my work repeats color and shape—the repetitions resounding the intention. The intertwining of art and wood created a cadence of earthbound/sky-bound.

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07Our hotel room faced the Gulf bay with its broad vista. The weather was refreshing for dry-landers like me as clouds, rain and storms prevailed. It created a perfect backdrop for some of my paintings that are inspired by the sometimes chaotic weather systems of sea and sky.

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That evening we began to discover palate bliss with our choice of diverse restaurants. We luckily had guests and eating pals that traveled from Houston for the exhibit and we began eating through 09Rockport starting with yummy Italian cuisine and proceeded to exceptional seafood. The most entertaining meal was a fish boil that literally dumped our orders on our table with a mallet as our only eating tool.

The opening reception was enthusiastic. The Rockport Center for the Arts knows how to throw a party. Their active arts community came out in droves and they were an attentive audience for the artist panel of 11.Michael, George, our moderator John Aasp, and myself. It’s always a pleasure for me to talk about the intentions of my work. Reductive work like mine requires some backstory and deep looking for understanding.

I enjoyed having the woodworkers talk about their approaches to their work and John asked probing questions. Afterwards refreshments magically appeared to add to the festivities and I 16had opportunities to speak one-on-one to the people in the audience.

We then had a day to rest and another to venture out into the nature of the gulf. That was exhilarating. In just a few hours we saw migrating birds, crocodiles, wild turkeys, a cardinal, a pelican, deer and most exciting 2 bobcats! Wow. Nature and art are a great combination to complete a wonderful weekend.

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18.Art centers can be an exquisite way to provide art experiences in a community with exhibitions, classes, and in the case of Rockport Center for the Arts, a film festival, a home tour and an energetic, talented staff and volunteers providing exceptional experiences for audience and artists alike. I am grateful to have worked with this marvelous organization and look forward to working with Delaplaine Visual Arts Education Center, MD in November.

Best, Marietta

PS: John Aasp left Rockport after the opening of Sea and Sky to become the Gallery Director for the College of Imaging Arts & Sciences at Rochester Institute of Technology, NY. I look forward to following his new ventures.

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Yearly Archives: 2015

Spring has Sprung

This is the time of year when things blossom and so will my art be springing up in several venues.

pixel-pair-webszThe Rockport Center for the Arts, TX is in a lovely small coastal town on the Gulf of Mexico with a wonderful art community. My solo exhibit, Sea and Sky, will be opening the weekend of Rockport’s very popular Home Tour and showing until May 9th. There will be an Artist Gallery Talk (that’s me) and Reception Saturday, April 11 starting at 4:30 until 7.

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Showing will be my work that reflects the varied colors of the Gulf environment—sea and sky. My oil paintings and work on paper will both be featured. As a bonus local woodworkers will display some of their original furnishings during this exhibition.

The website announcement for Rockport Center for the Arts reads:

Tramonto II-webszNew Mexico artist Marietta Leis brings her deeply rich abstract color fields to Rockport. Her work explores one of the most fundamental aspects of visual art: color. Her abstract color field paintings range from subtly smooth to deeply rich. Leis pursues the infinite variety of color in her work, showing a sharp design sensibility and enlivening the visual senses.

On Friday evening April 10th the Center will have a reception to celebrate the beginning of the weekend Home Tour so it’ll be a weekend of visual sensations. I hope you can join in.

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Back in Albuquerque there are two openings I’d like to share with you. As a continuation of Albuquerque’s celebration of art and design, On the Map, April Price Projects Gallery in the downtown Hyatt Hotel will be opening a group exhibition, Views from the Beach.

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My ink drawings on Japanese lace paper (above), Thin Places 5 and 9 will be shown. All the work in this exhibit will be artist experiences of the river, ponds and trails of the Albuquerque area known as Tingley Beach. The exhibit will run April 6-August 30 with an opening reception Friday, April 3rd 5-8pm.

Additionally the New Mexico Humanities Council in Albuquerque will be presenting, now See Hear, May 1-31 a group exhibition of 8 visual artists paired with 8 poets. The notable poetsgrey-dusk-news will have written a poem that reflects their impression of the painting they have been paired with.

I am pleased to be showing my painting (right), Grey Dusk, paired with the poem of John Asbough. What Fun! The exhibit, co-curated by Vasili Katakis and Bruce Noll, will have an opening reception at 2115 Silver SE at 5 PM Friday May 1, with poetry readings at 6.

I hope to see you at one of these events as I look forward to sharing my art with you and I hope this spring will be a time of renewal and joy for all of us!

Marietta