Yearly Archives: 2023

Unfurling Poetry Book Release !

Unfurling is the third anthology in a collection of my poetry and art. This new book contains over two years of my selected written works exploring personal history, a troubled cultural present, and vast inner landscapes brought into focus during a global pandemic. The pages of Unfurling pair my  prose with glimpses of my minimalist visual artworks, shaping a cerebral and palpably relatable reflection of a creative life unfolding.
“I was not calibrated for the Covid Pandemic in 2020. It did unfurl a childhood time of polio anxiety but I did not learn that navigation, if there was one besides fear and hope. During the ensuing 3 years I’ve experienced isolation and the ‘tip toeing out’ that has evoked both past memories and present reflections in no particular order. These writings are the harvest of a back-of-the-stove soup with things added as conjured revealing my internal landscape.”

“…Thank you for this lovely read and reflection. I love the work and your deep witnessing. The visuals are as nourishing as the writing….” Hakim Bellamy,Inaugural Poet Laureate of Albuquerque, New Mexico (2012-2014)




This latest collection of poems is the result of my time as a 2022 writer in residence at the Fairhope Center for Writing Arts in Fairhope, Alabama. During my month long tenure on the Alabama Gulf coast, I was able to distill down from numerous poems and writings, with the help of the quiet and the water.


The Albuquerque (NM) Museum is exhibiting a wonderful show of Georgia O’Keefe’s and Henry Moore’s art and how the work resonates together.  I’m excited to share with you that three of Moore’s sculptures are in the lobby keeping my sculptural painting, The Silent Road, company. This is very cool! My painting, hanging 17’, will be up through December and represents my work as Visiting Artist to the museum.

Yearly Archives: 2023

Santa Fe Studio


After my recent move from ABQ to Santa Fe NM, I have finally begun to get settled into my new studio! Located just outside of old downtown Santa Fe, my stand alone studio is in a cute cozy historic 100 year old building. After much renovation, construction and re-organizing, I am finally able to start making work in a purpose oriented zen space.
The studio is close to home and Im looking forward to sharing it with visitors soon. For now here’s a peek behind the curtain…
  

Yearly Archives: 2023

The Forever Home of The Silent Road


The Albuquerque Museum has added my sculptural paintings, The Silent Road (17’ x 34” x 36” graphite, Tyvek™ ), Land Lines (43 x 34 x 5”  graphite, birch wood) to their permanent collection along with the grouping of 4 paintings entitled, Breathless.

 

 

I am grateful to have this work at the Albuquerque Museum as I leave the city and it’s environs that had been my home for 30+ years.

It is especially gratifying to have The Silent Road and Land Lines installed in the Museum’s Lobby from December ’22 through December ’23.

The following you will read the narration plaque that is displayed with the work and see several photos by Stefan Jennings Batista of the installation. I hope some of you are able to see this work in it’s new home.

The soaring height of 17’ Silent Road I think will thrill you—let me know!

Marietta Patricia Leis
born New Jersey, lives Santa Fe, New Mexico
The Silent Road
2019
Tyvek™ , graphite ground acrylic, wood rod
gift of the artist

The Silent Road is a dialogue between painting and sculpture. It represents a road that leads in two directions, reaching upward toward the ceiling and winding down to the floor. The Silent Road was inspired by Marietta Leis’s time in Iceland during the dark months of the long winter. According to the artist, “The treeless, volcanic landscape revealed the earth’s curved horizon, confronting me with a stark image of all that is infinite—both visually and metaphorically. My acute sense of this fascinating and haunting place provided fertile ground for germination of The Silent Road.”

The Silent Road was made with graphite painted on Tyvek ™ (a paper-like plastic sheeting used to insulate houses). Leis hand burnished the graphite to achieve a luster that creates a shimmering darkness inspired by Iceland’s volcanic rock.

Leis traced every inch of the surface of the work marking a path and leaving a record of the artist’s journey for others to follow. The Silent Road’s surface texture offers hidden complexities for the viewer to grapple with and it also invites the viewer to simply travel The Road in silent contemplation.

According to Leis, “In today’s noisy world it is easy to become distracted, numb to our deepest natures. The road to authenticity is by its very nature traveled in solitude. It is an internal road that, with patience, can lead deep into the core of our being. As we each embark on the journey to this rich and fertile place, we can discover a common thread of the shared humanity that binds us.”

Marietta Patricia Leis is an internationally exhibiting multimedia artist and poet. She has lived and worked in New York City as well as Los Angeles, and is currently based in Santa Fe after living in Albuquerque for many years. Leis’ reductive, expressive works are shaped out of experiments in material process and she takes inspiration from forms found in nature, a sense of place, and the internal landscape.

 

Marietta Leis
born New Jersey, lives Santa Fe, New Mexico
Land Lines
2019
graphite acrylic/wood
gift of the artist

 

Yearly Archives: 2023

Writer in Residence

A month in the charming Fairhope, Alabama as a Writer-in-Residence sponsored by the Fairhope Center for the Writing Arts importantly gave me time to write and also an opportunity to experience the Deep South. I am grateful for both as our ongoing downsizing move to an apartment and office in Santa Fe has stretch us and we needed a break and time to work.

 

The scenic setting of Fairhope on Mobile Bay hydrated my desert soul and provided many glorious sunsets as well as magnificent cloud formations. The downtown Pier that I frequented on my walks draws people for exercise and fishing. Very serious fishermen staking out their territory for several hours with chairs, radios, food and several fishing poles.

 

As a tree lover I was treated with glorious Magnolia and abundant Live Oak trees always ready to amaze me with their large branches bowing low over the streets and lawns and the big old gnarled trunks of sculptural beauty.

The Center provided me and my husband with the quaint Wolff Cottage downtown and the library was conveniently right behind the cottage. Books of other authors who had been Residents graced the bookshelves that lined the living room walls. My sweet writing office had abundant natural light and an inviting vibe and my hours spent there writing, editing and formatting my new poetry book-to-be were hours of peace and grace.
Being downtown we could easily walk to meet any of our needs and find lots of local entertainment. Good food was at the restaurants and coffee shops. Oysters and fresh fish were luckily in abundance. I found a used clothing store where I bought a sweater as the temperatures dropped our second week there. The bookstores are a necessity in this literary town and there was one bookstore that satisfied my Xmas gift buying needs!

So let me back up and tell you a little history of this unique town; a group of reformers from the Northeast US established an experimental utopian community in Fairhope in 1894.They hoped that the town had a ‘fair hope’ of succeeding. It was developed as a ‘single tax’ colony that owned the land and homeowners paid an annual tax that provided the public amenities. These ideals attracted artists, writers and intellectuals. Among the unique things about Fairhope is the establishment of the progressive School of Organic Education by the educator, Marietta Johnson that still exists!  And, luckily we were there for the weekend of the film festival and were able to indulge in our favorite pastime.
The people who are involved with the Center were all gracious and supportive of my work and respectful of my time but we gladly accepted their invitations to enjoy the art openings and incredible dinner treats. We found the entire town to exude Southern charm with eye contact and friendly greetings as we passed in the streets.Fortunately, I was asked to attend the book club that sponsored my Residency and it was so heartwarming to experience this wonderful group of accomplished and curious women who welcomed my work into their hearts. What I loved was bearing witness to the relationships that these women had woven with one another over the years and over many books and discussions.

I was also asked to do a public event at the library where I was able to talk about my work and read my poetry. What I noted was that I allowed myself to be more spontaneous and vulnerable both talking about my life and work but also in the poetry I had been writing in Fairhope. Maybe it was the accepting and supportive environment, maybe it was my age and maturity but I take pride in knowing that I still had the ability to grow and dare!

So in Fairhope I wrote, edited and laid out a new book of 50+ poems. Now back in New Mexico I will integrate some of my art to play off the words. In time this book will be published and I hope that you will let me know your reflections. Words and art are communication — maybe written or painted in solitude but always meant to be received by the viewer or reader. I look forward to the dialogue.