Yearly Archives: 2021

Upcoming Solo Exhibition & Other Shows


Opening Reception  Friday, December 3 | 5-7pm
Exhibiting  December 3 2021 – February 27 2022
Poetry Reading
Saturday December 4 | 6-7pm
Curated by Laura Carpenter

I am happy to announce my upcoming solo exhibition Sense Memories at the CCA Santa Fe. Please come join us for the opening on Friday December 3, from 5-7pm. Curated by Laura Carpenter, Sense Memories will present a variety of my works across mediums in their beautiful Tank Garage Gallery. I will also be presenting in a group poetry reading the following Saturday. Hope to see ya there.
Click Here to read more.


My new book of poetry Engrained: Reflections on Trees in Poetry & Art is now available. This beautiful little softcover presents contemplative personal writing on trees, the environment and is accompanied my unique views of my artwork. Pick up a copy here.


I am featured in the group exhibition Structured Surfaces at the Curated Creative ABQ curated by Brianne Clarkson featuring 5 local artists.

Yearly Archives: 2021

Marietta in Lifetime Artist Exhibition

Marietta Patricia Leis participating in:
Lifetime Artists: Michael Warren Contemporary
McNichols Civic Center Building, Third floor, Denver
October 16 – December 19, 2021

 

Some artists are ephemeral, moving fleetingly in and out of the public eye. Others hold fast to their discipline, and move through the decades with a stalwart dedication to their evolving work.

“Lifetime Artists: Michael Warren Contemporary” salutes these artists of longevity, highlighting those who are at least 70 years old and have been practicing their artistic craft for a least 45 years. This exhibit features the mature work of twelve artists from the Michael Warren Contemporary Gallery, and is guest curated by gallery owner, Mike McClung with Featured Artists:

Natalie Alper, Rita Blitt, Eva Bovenzi, John Garrett, Jody Guralnick, Pamela Joseph, Marietta Patricia Leis, Robert Mangold, Lorelei Schott, Brian Shields, Allison Stewart, Floyd Tunson

Related events:
Opening Reception – Oct. 15, 5 p.m.
Virtual Tour/Discussion with Mike McClung – Nov. 11, 11 a.m.

To learn more click HERE

Reveal, by Leis, Installation of oil on unique shaped wood formats, painted on both sides

 

Yearly Archives: 2021

Breath Taking Exhibition Write Up


https://nmartmuseum.org/education/cypher-space/2021/06/02/breath-taking/

 

BREATH TAKING

by Sharon McCawley Curatorial Docent:

           

Currently on view at the New Mexico Museum of Art, from March 13 through September 5, 2021, is the exhibit BREATH TAKING  in which various, contemporary artists present their interpretations of the physical and symbolic act of breathing. The materials  and methods  include clay, paper, ink,  earth, video, photographs, water color. The exhibit, organized by Katherine Ware the Curator of Photography, and designed by Matt Celeskey and Monica Meehan, has been planned for  several years, before our critical focus on the automatic act of breathing arose. Original supplemental activities involving yoga exercises and breath control exercises for singing or playing an instrumental had to be removed. Instead thought exercises on birth, death, the environment, George Floyd, and Covid demand our attention.

Here are some thematic interpretations visible in the exhibit. Linda Alterwitz  Just Breathe 2013-2015 asked subjects to lie down with a camera placed on their chests. Ms. Alterwitz photographed thirty second exposures of these individuals’ breaths. Looking at these images reinforces the similarity between the cosmos and the human body; this interconnection is referenced throughout the exhibit. Stuart Allen Soap Bubbles, Bubble No.12, Bubble No.10, 2015 has created videos and photographic prints of soap bubbles which contain the volume of human breath. The bubbles like clouds float and radiate color. The evanescence of a bubble puts into perspective the span of an individual human life in the universe. Alison Keogh Sumi-Scapes 2009 uses ink and brush to record the patterns of her own breathing. She also creates ceramic spheres Black and White Spheres, 2015 which contain the volume of a human breath. These orbs can refer to individual molecules in our bodies; the materials of earth and clay again connect the individual to the entire world.  Marietta Patricia Leis Breath 1, Breath 2, 2019 presents us with ink patterns printed on silk panels. The fabric is so light that it moves in response to the air circulating around it. You can stand and try to match the movements of your own breath to the movements of the fabrics creating a relaxing and harmonious emotion. The colors seem to range from celestial to fatal, pastels which evoke the dawn and grey which evokes a shroud or a winding sheet; it could be the span of a human life. Meridel Rubenstein Respiration (New Mexico), 2009-2011 clearly presents the symbiosis between people and the environment. Her photograph displays the actual transfer of oxygen and carbon necessary for the continued existence of our planet.

 

Dating back to the Renaissance is the concept of correspondence, the relationship between the microcosm of the individual human being to the macrocosm of the universe. John Donne wrote “I am a little world cunningly made.” There is a connection between our movements of breathing in and out and the movements of air in the world which cause wind, hurricanes, rain, drought. The literary conceit of “pathetic fallacy” maintains this inner and outer correspondence, our sighs are winds, our tears are rain, our rants are storms. In our age, this is more than symbolism. It is apparent that actions of humans deeply affect our environment just as strongly as the forces of the environment affect humans.

The symbolism of air and breath are universal leitmotifs evident in many cultures. Realize that breath communicates and it infects. It carries music and it carries death throughout the world. Ancient Egyptians believed that Shu, the God of Air, connects earth and heaven.  Air literally carries our prayers up to Heaven. The Chinese believe in Tao, the breath that never dies, and is the Mother to all creation. The Inuits literally define Death as losing your breath.

The Sanskrits write in their sacred text UPANISHADS “Just as spokes are held together in a wheel-hub, everything  is held together  in the breath.” This reminds us that the rhythm of breathing matches the rhythm of the universe.

 

There are many allusions, both literal and numinous, to  this rhythm  in the works you will see and experience.

“ I Can’t Breathe” the final plea of George Floyd lasted for 8 minutes and 46 seconds. Think about what you can accomplish within that length of time if you are cooking, drawing, knitting, reading, dancing, composing, playing a musical instrument or singing. For a quick reference, note that the Star Spangled Banner  lasts for 3 minutes 30 seconds, Figaro, Figaro, Figaro lasts for 5 minutes 9 seconds, and Hey Jude lasts for 8 minutes and 9 seconds

We constantly  need breath to speak, so reflect upon the connotations of  these words and phrases that we use everyday:

 

taking a breather

getting some air

time to catch your breath

inspiration

expiration

inflation

deflation

breathe a sigh of relief

breathing down your neck

don’t breathe a word

mention in the same breath

 

.

Take a deep breath as you experience BREATH TAKING  at the New Mexico Museum of Art.

There is a saying in Neverland, that every time you breathe a grown-up dies.

– PETER PAN by J.M. Barrie

Yearly Archives: 2021

A Welcomed Spring

It is only the farmer who faithfully plants seeds in the Spring, who reaps a harvest in the Autumn.                                                                                                                                                                ~  B. C. Forbes

I hope this finds you well and cautiously optimistic and hopeful as we start looking at ‘live’ art again for inspiration

I’ve been making art throughout the pandemic but the work has had a mind of its own influenced by the virus, and I had to yield to its voice. Thus the diverse group of paintings I made in ’20-’21 is more about internal landscapes than the outside environment. But, since the human is comprised of the same elements as our planet we are intertwined and what affects us impacts everything and vise versa.

The Eclipse series of work I referenced in my previous News has made its debut in January at the Michael Warren Contemporary in Denver


Here is other new work:

REVEAL


This group of 16 paintings completed in 2020 called, Reveal (oil on unique wood forms) really led me a merry chase.

They demanded a variety of colors which led me veering from my original intentions by finding influence in the Covid-19 virus.


 

Reveal 

disclose, tell, let slip, let drop, give away,

blurt (out)

release, leak, make known,

make public, broadcast, publicize,

circulate, disseminate, let on, show, display, exhibit,

disclose, uncover, unveil, uncloak.

bring to light, uncover, lay bare,

excavate,

expose,

unearth


Other Side of Numbness

January of 2021 brought some positive changes to our forecasts and I found that I could relax a smidge and express some of my frustrations and thus feel more grounded in doing so. This inspired a group of 12+ paintings 3 of which are are large 60″ x 60″ canvases, I call Other Side of Numbness.

After so many restrictions and fears of Covid-19 something switched for me in these 2021 ink and gesso paintings. I threw off the chains of confinement and struck back. The transition was not planned–my mind did not control the hand. My heart knew I had to beat my fears into submission by letting the ink express the chaos and heaviness I felt. It was then that I started to settle and began to feel a new grounded-ness.These paintings reflect the internal landscape of the pandemic eon and also the ‘other side of numbness’.

 


Work on Paper

Some of my ‘work on paper’ that has been residing in my flat files, needed to escape its confinement–I think we can all relate to that! Now they have smart new white frames.

This work is ready for installations of groups or a single work strikingly holding its own!

Nightscapes – 5 framed works 
done in residency in Doi Saket, Northern Thailand observing unpolluted night skies (pen on paper).


 

Chimes – 15  and 3 larger pieces,
done in residency on a barrier island off the coast of South Carolina, US-with shimmering waters (watercolor on paper).


Mercurial – 5  framed pieces,
Done on Flores Island, Portugal during storms at sea that prevented
boats from coming into harbor. (Ink on paper)


Fluidity Focus  – 18 framed pieces,
Also done in residency on the Azores Island, Flores, Portugal while watching the fickle seas change hue frequently. (watercolor on paper)


May our lives continue to open and expand with caution and hope. And, may we carry forth the lessons we have learned during the pandemic trial.
– mpl

Yearly Archives: 2021

A NEW YEAR!

So happy to kick 2020 out of the Door and wish all of you a bright and
optimistic 2021! Michael Warren Contemporary will have a ‘live’ an exhibition of
gallery artists this month and I will be showing several pieces of my new work of 2020,
Eclipse. Following below, find both my artist statement of this work and also my poem. Enjoy!


ECLIPSE  
(hidden and revealed) a statement

Eclipse is a series of paintings of Flashe© and copper leaf on panel and linen.The series came about from my infatuation with the idea of a black surface that would not reflect at all—an echoless environment.

Black has been a thematic visitor in my work for a while. Mystery, fear, discovery, velvet, night etc…all intrigue me

I pursued this evasive black relentlessly for several weeks. After many trials I arrived at Flashe©, a black that one sinks into and doesn’t return, a black hole.
I then began to think of light trying to creep over the edges – like that of an eclipse when the light of the sun limns from the obscurity of darkness. The play of light and dark, what was dominant and what was subsumed, bifurcated and partial, became the intention of the work.

The paintings speak to the sublime and offer glimpses into the infinite landscapes of the internal and external.

 


ECLIPSE 
a series of paintings of Flashe© and copper leaf

 

Darkness absorbing light limned with copper
Dark days, dark nights, dark thoughts
with the promise of better times

Black obscuring light-but light sneaking out
Glowing hope and promise
Warming black’s mystery

There is a game of hide and seek
within an ecliptic peek a’ boo
But what is hiding

And as we move into the black
familiarizing ourselves with its velvet purr
It soothes and comforts

Black doesn’t eclipse the light
It accents the light, brightens it
Illuminating the night

Perhaps the light obscures the black
lessening its prominence
equalizing the power held

Partial eclipse hints at attempting balance
Weighing, evaluating, thinking
compromising, negotiating

No loss of significance, power, prominence
Deep thoughts evoke fairness
Black and copper both shining